The Lega are a Bantu forest people of Central Africa, established in the eastern Democratic Republic of Congo (DRC), in the provinces of South Kivu and Maniema.
.ETHNIC GROUP: Lega-Warega.
COUNTRY OF ORIGIN: Democratic Republic of Congo
(ex Belgian Congo, ex Zaire).
Provinces: South Kivu and Maniema.
MATERIAL: Wood
DIMENSIONS: Height: 35 cm.
CONDITION: Average
See photos.
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Bibliography - Art Lega - Bibliography:
- Lega. Ethics and Beauty in the Heart of Africa. Daniel P. Biebuyck. 2002. KBC.
- Lega Jewels from the Benoît Rousseau Collection. Viviane Baeke, MRAC and Benoît Rousseau. 2013. BRUNEAF.
- In search of the meaning of Bwami, through a collection like no other. Viviane Baeke. Undated. Royal Museum for Central Africa.
- The sculpture of the Lega. Daniel P. Biebuyck. 1994. Galerie Hélène and Philippe Leloup- Paris-New-York.
- The arts of Zaire, Vol II Eastern Zaire. Daniel P. Biebuyck, 1986, University of California Press.
- The Art of the Lega of Central Africa, Elizabeth L. Cameron. 2013, Musée du quai Branly.
- Lega Culture. Art, Initiation and Moral Philosophy Among a Central African People. Daniel P. Biebuyck. 1973. University of California Press.
- The Lega and their art. In the footsteps of a dreamer lost in Congoland Emile-Alexandre Georges. 2005. Royal Museum for Central Africa.
- L'Art Lega - Grandeur and Humility. In the Vallois collection, Valentine Plisnier and Michel Boulanger, 2016
- Sculptures do not speak. The Balega made them speak, Daniel P. Biebuyck Cahiers de literature oral 67-68: 69-81, 2010
- The Warega and the Wabembe. An extraordinary social culture and an astonishing civilization without writing in Central Africa, Alexandre Safiannikoff, 2022, Paul Safiannikoff
- Bela Hein, great initiate of Lega ivories, Bernard de Grunne, 2001
- Treasures of Africa, Tervuren Museum, collective work, MRAC, 1995
(Notes by Daniel P. Biebuyck)
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Nene Kisi League Figure
Sculpture of a Nene Kisi (The land owner)
Scarifications on the nose might seem a bit confusing for a Lega item
It is rare, but it does exist (see for example EA Georges p193, 1
The figures used in the cult of the Bwami are generically called Iginga
Collective, sacred properties, they are kept in secret, generally in closed wicker baskets. Their use is reserved at passages to the upper (Yananio) and supreme (Kindi) levels
The figure is inseparable from the aphorism associated with it
The Bwami is a hierarchical association by ranks which organizes the social structure and ensures the stability of the Lega community
Each change of level is accompanied with initiation rites where people talk, sing, dance, mime and exhibit. A multitude of aphorisms are used in stories and songs
The aim is to formulate and to interpret in multiple symbolic ways principles, moral and philosophical values and rules of bwami, to each and inculcate them, and to bestow upon the initiates the paraphernalia relevant to their grade level together with their symbolic references, and to convey the resulting power, prestige and privileges. (Biebuyk, Sculptures don’t speak 2010)
The Lega are a Bantu forest people of Central Africa, established in the east of the Democratic Republic of Congo (DRC), in the provinces of South Kivu and Maniema.
Features:
TYPE OF OBJECT: Figure, statue, figurine.
ETHNICAL GROUP: Lega – Balega – Warega.
ORIGIN: Democratic Republic of Congo.
(formerly Belgian Congo, formerly Zaire).
South Kivu and Maniema provinces
MATERIAL: Wood
DIMENSIONS: About 13 3/4 inches high (35 cm)
CONDITION: Fair
Please have a look on the pictures.
